Following up the most popular Hollywood Sapien blog post ever (How Many Actors are in LA?), we are proud to present the sequel: How Many Actors are in New York?
The head of a company that serves New York actors recently wrote me about the LA entry, and we chatted about speculating on the number of NYC actors. Now, I’ll once again put a big caveat on this: while I feel confident that my LA numbers are as good as anybody could reasonably calculate, my specialty has been studying the California-based entertainment industry, and since the professional culture and variables in New York are different, the NY numbers will be even more speculative than my LA ones.
One difference that was suggested to me was that while LA figures are based on the number of actors in SAG-AFTRA, because so much of New York’s acting culture is theatre-based, NYC ones should be based on Actor’s Equity membership instead, with SAG-AFTRA actors added. Based on previous estimates that 80% of SAG-AFTRA members are in California, that makes sense, and figuring out the number of Equity Actors in NYC, while it took some digging, clearly is possible.
My calculations are based on Equity figures about the number of total members, the percentage who are stage managers vs. actors, and percentages of Equity jobs in the Eastern Region (basically the East Coast and eastern portion of the South) vs. the Central and Western regions (which cover the Midwest & western South, and West Coast & Southwest, respectively). And so, the calculation:
Number of members of Actors Equity 49,000
Minus 14% who are Stage Managers -6860
Leaves us with 42,140
Adjust for 56% of Equity work in East region 23,598
So, further estimating that 80% of the work in the Eastern Region occurs in New York, we get the final figure of Actor’s Equity actors in New York:
There are some educated assumptions here, mixed in with solidly known figures. The number of members of Equity is known, and figures released by Equity in 2009 have the percentage that are stage managers, and the percentage of work that occurs in the Eastern Region. I’m speculating as to what percentage of that work occurs in New York. Still, the final figure of 18,963 makes sense; figures from the early 2000s had roughly 15,000 members of Equity in New York City, and so the figure above would include some moderate growth over the last ten years (one could expect a small but clear expansion in the numbers over a decade).
Okay, so we’ve got a good figure for the number of Actor’s Equity-based actors in New York. But what about SAG-AFTRA actors who live there? Previous calculations suggest that roughly 30,000 SAG-AFTRA members work predominantly outside of the LA area. I’d say a hefty percentage of them are probably in New York, as high as 30%, or roughly 10,000 (keep in mind, those same previous calculations show that only about 20% of those people are actual working actors at any given time – so 10,000 people translates to “just” 2,000 working actors).*
If that’s true, including the SAG-AFTRA members brings the figure to:
While I’m very comfortable with the 18,963 Equity figure, there are some serious issues with the second (SAG-AFTRA inclusive) one. Among them, 1)What is the percentage of SAG-AFTRA members in New York? (I speculate, but without any actual data to help) and 2)What is the number of crossover actors, who are members of both SAG-AFTRA and Actor’s Equity? (this isn’t even taken into account in the figure above). Also, while I have a good educated guess of the % of SAG-AFTRA members who are working at any given time, I have almost none for Equity actors…so those aren’t even taken into consideration here (a sizeable problem for me, but – it can’t be helped).
So, there you have it. People more familiar with the New York acting world, please – I invite you to chime in with suggestions, thoughts, and ideas on how to refine these calculations.
— Scott Frank
- The percentage of SAG-AFTRA actors in NY (here calculated at 30% of the total outside of California) was probably much higher in the past: likely 50% or more. But the success of entertainment industry productions in Louisiana, Canada, North Carolina, Georgia, etc., has significantly impacted that figure.
- The Equity calculation above uses the estimated figure that 80% of Equity work in the Eastern Region is done in New York; I have a vague feeling that is probably high, but have no way of verifying it.